Wednesday, July 6, 2011

The Art of C Twombly

The American artist Cy Twombly died this week in Rome at 83.  The essence of his work was experience
of presence.  He made few statements about his work except in an Italian journal back
in 1957, he tried to make clear his intentions were not to subvert but elementally human
Each line he made, he said, was "the actual eperience" of making the line, adding:
"It does not illustrate. It is the sensation of its own realization." Years later he described
it more plainly. "It's more like I'm having an experience rather than making a picture,"
he said.  About that experienc-ing he said, "After a work is complete, it's a kind of ecstatic
state, where the painting exists but Mr. Twombly barely did anymore!

 The above is at the Menil Collection in Houston "Say Goodbye Catullus, to the Shores f Asia Minor."   He seemed to love the obscurity and followed his own muses, mostly literary, Catullus, Rilke, Rumi, Pound. Can you tell?
Untited , 2007

Say Goodbye Catullus to Cy, who surely experienced life, now death, as celebration - my own take

Saturday, April 23, 2011

Helen Corning and Discovery in Abstract Art

if i knew what I was  going to paint, I couldn't.
Because I don't know what will happen, it's possible…

     ---Helen Corning

A great artist of the New York abstractionists and a great teacher
and person... 

      To me Helen puts it so simply, for some of us, art is a process of discovery - embarking on a journey and not having a clue where we're off to. Much like improv music everything you ever learned comes into play in the right moment and circumstances but it not the narrow usual conscious mind that decides.
Yes as Helen said the conscious ("adult") plays a kind of referee, monitor role , stepping back after certain play-periods the Wild Child from the Deep Unconcious has had, to SEE if in terms of the strucutures of art, it can stand or must be changed, having infact the final word, but it is not that Adult who creates or draws it up from the depths of a place way beyond a separate conscious mind we call ourselves.  That energy, insight, comes from the  Wild Child as she calls it, free from boundaries and borders and definition; the one who has access to dance and spontaneity and juice from all those so-called 'other' emotions and experiences, maybe personal or maybe beyond what ever came into our little lives........the carrier, the medium... a wild and strong but very very serious children's play is abstract art.  
     Helen is now in Maine at 84.  She will continue painting and teaching those lucky ones up there. 

Artist’s Statement:

As I grow older, and wiser (?) I become more questioning about all things, including art. The enjoyment of doing art is very much still there. The enjoyment of the results, however, change with time and place.

To me, “less is more.” A year spent in Japan reinforced that philosophy. I find over load everywhere. I strive for elements that suggests but do not “INSIST.” I want the person looking at these paintings to discover at leisure what it is all about and maybe between us, we can share these ideas. I still call the paintings, “Haiku.” Haiku being a very concise short poem that has a lot to say.

Biography:

BFA, Ohio University; MFA in Painting, University of Washington.
Studied composition with Alexy Brodovitch, New School, New York City and printmaking with Gaston Petit, Tokyo, Japan.
Taught art at the University of Maryland, College Park, MD.
Maintained studios in Tokyo, Japan, and Ein Hod, Israel.
Private collections: Weitzman Institute, Rechovot, Israel; Sohio Collection, Washington, D.C.; Bell Atlantic; Federal Bank of Baltimore, Baltimore, MD; Howard Hughes Medical Center, VA.
Maintains studio in Kensington, MD.
Teaches abstract art at Glen Echo, MD.

Click for complete resumé (pdf)
Autumn_36wX48hBlack_And_White_48wX36hCelebration_36wX48h
Faux_Klimt_48wX36hSummer_Day_36wX48hWhite_Kimono_48wX36h
AprilTravelingSoloShadows
AutumnHaikuBeingThere
GoodMorning

TUESDAY, MAY 5, 2009

The Archetype of Beauty and the Mystery




The most beautiful thing we can experience is the mysterious. It is the source of all true art and all science. He to whom this emotion is a stranger, who can no longer pause to wonder and stand rapt in awe, is as good as dead: his eyes are closed.
Albert Einstein


This is a central purpose of all art, to act as a medium, to hold a mirror up that calls us to pay attention to
the world in a way we have not yet seen - as a mystery, as a path - art leads us to that door by awakening
awareness, by showing us things in a way we have not yet seen them, even if they are the most common
ordinary things....because it is not the 'things' but the way they are seen - that opens the doors of perception
and leads us into the Mystery called Life. amy

The above paintings are visionary, using sacred geometry and ancient symbolic arts.. used to
heal and focus ....see Alberto Amura's beautiful website below:


http://www.lighttide.com/art/

THURSDAY, APRIL 9, 2009

The OUTLOUD PAINTERS at the SANDY SPRINGS MUSEUM





The Opening Reception for the unique group of abstract painters called THE OUTLOUD PAINTERS
took place at the wonderful SANDY SPRING MUSEUM Sunday afternoon. It was a beautiful opening,
complete with music and tours of the museum.
The exhibit of this group has a wonderful feel on integration. Maybe that is because all the members
stand on their own artistically speaking, award-winning artists, but most of them actually paint together
weekly. It is rare to have this kind of support for painters of this level as well as the chance to exchange
and paint in the same studio.

The exhibit will continue till the end of May. It is worth the lovely drive out to Sandy Springs
near Olney, MD. Additionally a tour of the surrounding Quaker community is available, ie.
the museum. It is a quite fascinating history, the craft and spirit of earlier times, as well as
the interesting "underground railroad" connection of the Quakers who brought many African-
Americans to come into the free states and live in the community as well.

Visit the painters at www.theoutloudpainters.com and Sandy Spring Museum at www.sandyspringmuseum.com.
Photos above: 1. Shaune Bazner and her painting, 2. Donna Grossman, Amy Barker-Wilson's paintings,
3. Judy Baldinger, Donna and Shaune, 4. Donna G.,Tory Cowles and Carol Jason; photographer: michiyo mazuuchi

MONDAY, MARCH 30, 2009

Women Artists/Women Healing



Women Artists/Women Healing: Multicultural Artistic Narratives of Trauma and Survival is a five-part narrative series featuring literary readings, performances, exhibitions and facilitated discussions. Tomorrow Tuesday March 31st is the last panel talk of the series, 6 pm at the Adams-Morgan location of CentroNia.

Kathy Kieler a Hungarian-American artist will feature her works there, in a series about transforming loss. Her works are fine detailed drawings and paintings with a mood of vulnerability and sustainability. Visit the website to see more of her work.
Featured here: Envoi, 2000, oil and alkyld on wood, 42x80"


http://womenartistswomenhealing.wordpress.com/ for more art work and information about this group.

I also have been asked to feature some of my work which will be there for the evening only. I am happy to be affiliated now with this group as one of my purposes is truly the transformative nature of art and its international language! I will send updates as I know them..Featured here (above) : We are Never Alone, monoprint, 2008, 24x18 in.



Gathering women artists, healers, veterans, and survivors from across cultures and disciplines, the series showcases the resiliency and expression of the human spirit, seen through the lens of female artists and speakers.

Join us every Tuesday evening in March from 6-9pm at CentroNía in Washington, D.C. as we explore the connective tissue of humanistic themes that entwines us all.

Interact with the artists, performers and panelists to learn how lives are transformed through artistic, creative and personal expressions. Listen to voices of survival, be it the ravages of war and strife, or crime, poverty, and oppression and find out how faith, healing and empathy are entry points for promoting justice and healing from within and beyond one’s own personal experience.

In celebration of Women’s History Month, each program begins at 6pm with a light reception, art exhibit and performance, followed by a facilitated panel discussion at 6:45pm. Audience interaction is encouraged.

Women Artists/Women Healing is produced by Elizabeth Bruce, author of ‘And Silence Left the Place,’ stage actor, playwright of ‘Sheila’s Iron,’ and educator. The series is associate produced by Alivia Tagliaferri, author and documentary film-maker of Ironcutter Media, and Timothea Howard, political activist, visual artist and program manager of CentroNía’s Community Schools Program.

Women Artists/Women Healing is funded in part by the DC Commission on the Arts and Humanities, an agency supported in part by the National Endowment for the Arts, and hosted by CentroNía (1420 Columbia Road, NW, Washington, DC 20009). The series is also funded in part by the Readings & Workshops Program of Poets & Writers, Inc.


Gathering women artists, healers, veterans, and survivors from across cultures and disciplines, the series showcases the resiliency and expression of the human spirit, seen through the lens of female artists and speakers.

Join us every Tuesday evening in March from 6-9pm at CentroNía in Washington, D.C. as we explore the connective tissue of humanistic themes that entwines us all.

Interact with the artists, performers and panelists to learn how lives are transformed through artistic, creative and personal expressions. Listen to voices of survival, be it the ravages of war and strife, or crime, poverty, and oppression and find out how faith, healing and empathy are entry points for promoting justice and healing from within and beyond one’s own personal experience.

In celebration of Women’s History Month, each program begins at 6pm with a light reception, art exhibit and performance, followed by a facilitated panel discussion at 6:45pm. Audience interaction is encouraged.

Women Artists/Women Healing is produced by Elizabeth Bruce, author of ‘And Silence Left the Place,’ stage actor, playwright of ‘Sheila’s Iron,’ and educator. The series is associate produced by Alivia Tagliaferri, author and documentary film-maker of Ironcutter Media, and Timothea Howard, political activist, visual artist and program manager of CentroNía’s Community Schools Program.

Women Artists/Women Healing is funded in part by the DC Commission on the Arts and Humanities, an agency supported in part by the National Endowment for the Arts, and hosted by CentroNía (1420 Columbia Road, NW, Washington, DC 20009). The series is also funded in part by the Readings & Workshops Program of Poets & Writers, Inc.

Tomorrow Tuesday March 31st at 6:30 pm will be the final panel discussion of the project WOMEN ARTISTS/WOMEN HEALING: MULTICULTURAL ARTISTIC NARRATIVES OF TRAUMA
AND SURVIVAL, a five part narrative series featuring literary readings, performances, exhibitions and facilitated discussions.

Gathering women artists, healers, veterans, and survivors from across cultures and disciplines, the series showcases the resiliency and expression of the human spirit, seen through the lens of female artists and speakers.

Join us every Tuesday evening in March from 6-9pm at CentroNía in Washington, D.C. as we explore the connective tissue of humanistic themes that entwines us all.

Interact with the artists, performers and panelists to learn how lives are transformed through artistic, creative and personal expressions. Listen to voices of survival, be it the ravages of war and strife, or crime, poverty, and oppression and find out how faith, healing and empathy are entry points for promoting justice and healing from within and beyond one’s own personal experience.

In celebration of Women’s History Month, each program begins at 6pm with a light reception, art exhibit and performance, followed by a facilitated panel discussion at 6:45pm. Audience interaction is encouraged.

Women Artists/Women Healing is produced by Elizabeth Bruce, author of ‘And Silence Left the Place,’ stage actor, playwright of ‘Sheila’s Iron,’ and educator. The series is associate produced by Alivia Tagliaferri, author and documentary film-maker of Ironcutter Media, and Timothea Howard, political activist, visual artist and program manager of CentroNía’s Community Schools Program.

Women Artists/Women Healing is funded in part by the DC Commission on the Arts and Humanities, an agency supported in part by the National Endowment for the Arts, and hosted by CentroNía (1420 Columbia Road, NW, Washington, DC 20009). The series is also funded in part by the Readings & Workshops Program of Poets & Writers, Inc.


http://womenartistswomenhealing.wordpress.com/

SUNDAY, MARCH 29, 2009

Growing Young



"IT TAKES A LONG TIME TO BECOME YOUNG." - Pablo Picasso


Some say that all our adult lives are spent trying to return to what we
instinctiely knew as chidren. Ofcourse it's not quite like that because
what we really wish to do is to bring together the Consciousness of the
adult capacity with the Life flow and Life force that simply moves through
the child without resistance by ego or even by Knowing. The tree of Good
and Evil and the Tree of Life, reconcililng. So with our best art, we find we
are both these - the playful child knowing now limits, enjoying, moving
with a large force of body or spirit or a melody within with, carving out a
vision in paint one would be unable to articulate as it is primary process,
and lies below the level of the conceptual mind acquired in school; --
and the adult --analytically observing what we have done , using all our knowledge of
what constitutes 'good art' and all our experience of how to work toward that
vision. In so doing art we are reconciling and uniting all our parts, our history,
our being so alive when we were young, into the present moment. As Joseph
Campbell so well put it: What is it we really want in life? We want the experience
of BEING FULLY ALIVE. As the artist, we learn how to tap into what we are/were
and find it flow has not lessened.

Women of Avignon - Picasso
River of Life -- Amy Barker-Wilson

SATURDAY, MARCH 28, 2009

ART IS FREE -- W. Kandinsky


THERE IS NO 'MUST' IN ART BECAUSE ART IS FREE - Wassily Kandinsky 

One of the goals of the Blaue Reiter to which Kandinsky was a prominent
member was the use of art for spiritual expression. I wonder what that word
'freedom' meant to a Russian at the turn of the 20th century - in relation to
what it means to Americans at the turn of the 21st, here in a country founded
on that idea.  
Kandinsky wrote in "The Spiritual in Art" about the laws of color - how colors
behave in relation to each other in art, having studied the works of Steiner
and Colert, some physics.  So his freedom didn't mean that the 'laws' of art
were not there - but that something beyond that, the spiritual, allowed this
action to be perceived as a Whole, from another level, where we approach
that 'mysterious' ingredient that makes art a Unity beyond its parts.